Call for Papers: HipHop in Germany 2020

This German-speaking Call for Papers is for a conference on HipHop in Germany which will take place in June 2020. If you have any questions on the conference, please email the organizers:

Prof. Dr. Michael Rappe, Hochschule für Musik und Tanz Köln
Prof. Dr. Thomas Wilke, Pädagogische Hochschule Ludwigsburg

Hip Hop in Deutschland 2020. Medialität, Tradierung, Gesellschaftskritik und Bildungsaspekte einer (Jugend-)Kultur
19./20. Juni 2020 in Ludwigsburg

Hip Hop als eine komplexe kulturelle Erscheinungsform ist in ihren Einzelelementen
heutzutage nicht mehr wegzudenken aus Musik- und Alltagskultur, Identitäts- und
Sozialisierungsprozessen, aus Abgrenzungsdiskursen, Stilfragen, Innovationszyklen,
Modeentwicklungen, Kommunikationsdynamiken, wissenschaftlichen Auseinandersetzungen und ökonomischen Zusammenhängen. Seien es die Panini-Sammelbilder zum Deutschrap ab 2000, die über 73 Millionen Beiträge auf Instagram unter #hiphop, sei es die Ü30-HipHop-Party in Leipzig mit Samy Deluxe als DJ oder die Fanta4-Ausstellung im Stuttgarter Stadtmuseum, seien es HipHop-Workshops oder filmische Thematisierungen in Serien wie Skyline oder Dogs of Berlin – die thematische Verhandlungsbreite ist immens.

[…]

Die interdisziplinär ausgerichtete Tagung möchte mit dem Titel nicht nur eine
Bestandsaufnahme vornehmen, sondern zugleich eine systematisierende Herangehensweise im Umgang, der Aufarbeitung, der Einordnung und der Potentiale von Hip Hop als die Summe seiner einzelnen Elemente angehen. Ausschlaggebend sind Fragen nach den Diskursformen von Hip Hop als Kultur, in seinen  Alltagsbeschreibungen oder ihrer Verweigerung, als Ritualisierung, als Inszenierung, als Tradierung in seiner fast 40jährigen Geschichte, als kommunikative Gedächtnisform oder nach gegenwärtigen Einschränkungen, wenn beispielsweise nur Straßenrap und sprachliche Gewaltdarstellungen pars pro toto in den Blick genommen werden. In diesem Sinne ist auch die Frage nach dem tradierten Selbstverständnis von Hip Hop als Kultur der vier Elemente und ihrer Beziehung zueinander zu aktualisieren. Mit stetem Blick auf die Entwicklung von Hip Hop in Deutschland und die
gegenwärtige Situation fokussiert die Tagung folgende Bereiche:

I. Aspekte und Dimensionen von Medialität

• Vernetzungen und Austausch: Lokal und Medial
• Virale Produktion und Distribution von Hip Hop
• Websites, Fanzines, Gossip und Musikjournalismus
• Hip Hop im Film und in Serien
• Mediale Repräsentationen (bspw. Musikvideos) und Rolemodels
• DJing, MCing, Beatboxen, Beatmaking und Graffiti im Zeichen der Digitalisierung

II. Aspekte und Dimensionen von Tradierung, Tradition, Archivierung

• Kulturelles Gedächtnis von Hip Hop in situ und in actu
• Fragen der Archivierung von Hip Hop
• Historisierung und Oral History
• Traditionslinien und -brüche im MCing, DJing, Breaking Graffiti
• Selbstreferenzialisierungen und Verweissysteme von Sozialisierungsmomenten und
kulturellen Praxen
• Der Blick von außen: Deutscher Hip Hop in der internationalen Wahrnehmung

III. Aspekte und Dimensionen von Gesellschaft, Kritik, Gesellschaftskritik

• Kritische/Politische Positionen in/durch Hip Hop
• Thematisierung von Gesellschaft auf Text- und Bildebene, aber auch auf klanglicher
(Beatmaking, DJing) oder körperlicher (Breakdancing) Ebene
• Hip Hop zwischen Empowerment und Vereinnahmung
• Frauen und Gender im Hip Hop (Misogynie, Heteronormativität, Queer)
• Migration, Interkulturalität und Intersektionalität
• Be a Part of it: Jamkultur Gestern und Heute
• Rechtsrap

IV. Aspekte und Dimensionen von Lern- und Bildungsprozessen

• Informale und formale Lernorte: Hip Hop im Kulturzentrum, in der Schule und
anderswo
• Selbstbildungsprozesse
• Prinzip des Each-One-Teach-One – Diskursivierung von Wissen
• Institutionalisierung und Akademisierung von Hip Hop
• Wissensordnungen im/des Hip Hop

HINWEISE FÜR ABSTRACTS
Die Tagung bietet unterschiedliche Formate an, um eine differenzierte Auseinandersetzung und Analysen in Theorie und Praxis zu ermöglichen. Wir möchten Sie herzlich einladen, Abstracts zu Panelbeiträgen und künstlerisch-praktischen Workshops einzureichen. Die Übernahme der Reise- und Übernachtungskosten für Referent*innen ist beantragt, eine Publikation der Beiträge geplant.
I. PANELBEITRÄGE (20-30 min)
Die Bewerbung für Panelbeiträge sollte folgende Angaben enthalten:
• Titel und Abstract des Beitrags (ca. 1500 Zeichen inkl. Leerzeichen)
• Kurz-Vita (max. 500 Zeichen inkl. Leerzeichen).

II. WORKSHOPS (90 min)
Die Workshops sind auf 90 Minuten angelegt und finden mit einer begrenzten Anzahl an Tagungsteilnehmenden statt. Bitte geben Sie Ihren Bedarf an Räumlichkeiten und Technik an und wenden Sie sich bei Fragen direkt an uns.
• Kurzbeschreibung des Workshops (max. 1500 Zeichen inkl. Leerzeichen)
• Kurz-Vita (max. 500 Zeichen inkl. Leerzeichen)
• Angabe der benötigten Räumlichkeiten & ggf. des Materials

Deadline für die Einreichung der Abstracts:
Bitte senden Sie Ihre Vorschläge bis 13. Dezember 2019 an:
Prof. Dr. Michael Rappe
Prof. Dr. Thomas Wilke
Bitte ordnen Sie Ihr Abstract/Ihren Workshop einem der vier Themenschwerpunkte zu und machen Sie deutlich, ob es sich um einen Originalbeitrag handelt.
Über die Annahme des Beitrags/des Workshops entscheidet das Scientific Committee bis zum 18. Dezember 2019. Eine Benachrichtigung erfolgt direkt im Anschluss.

Trinity International Hip Hop Festival 2020: Call for Submissions

The Trinity International Hip-Hop Festival and Conference is seeking submissions for performers and presenters for their 15th annual event to be held at Trinity College in Hartford, Connecticut, on March 26-29, 2020. This year’s theme is “15 Years of Hip Hop: Past, Present and Future”. This year, the festival is honoring the roots of hip hop as a vehicle of empowerment and resistance for marginalized voices while celebrating how hip hop has also dynamically changed as a movement through time. Looking back
in order to step forward, this 15th year’s focus is to honor the foundations of hip hop as well as to celebrate the artists that keep hip hop alive. We invite all artists from around the world to celebrate the roots, seeds, and branches of hip hop as we honor how it has existed, developed, mobilized, and sparked change throughout the decades.

Any topics will be considered, but submissions focused on these topics are preferred: hip hop and social or political change, hip hop education, women in hip hop, hip hop diplomacy, hip hop history or similar.

Submissions will be accepted in the following categories: Performers (hip hop artists, MCs and/or DJs), presenters (lecture or workshop), panel discussions, film screenings, dance groups/judges (b-boy/b-girl and all styles), graffiti artists, spoken word artists, music producers, and hip hop photographers.

About the Festival

The festival was started by students as a way to unite disparate communities – academic, racial and economic – using hip hop culture in all of its forms and drawing from the international hip hop community. The festival has grown to become an annual meeting place for champions of social change: professors and students, artists and activists, educators and event promoters, and people from all manner of hip hop related grassroots and non-profit organizations descend on Hartford for several days
of connecting, learning, sharing and inspiring each other.

In the last fourteen years, we have hosted artists and presenters from over 50 countries. Although many of the people did not know each other coming in, as one first time attendee put it, “It felt like a family reunion!” A strong tie exists between attendees from shared beliefs in hip hop culture and social awareness. Everyone leaves feeling energized, inspired and more connected to fellow practitioners from around the world.

Each festival also runs concurrently with a one-day youth conference, sponsored by the City of Hartford. Hartford-area teens meet in their own “youth only” events, and also sit in on some of the open panels and performances. Hip hop artists – who would perform later that night – teach groups of students about beatboxing, freestyling, a variety of dance forms and more. This youth outreach continues to grow and strengthen the college-community bond.

PERFORMERS
Please submit artist/group information, EPK, links to web site and live performance videos (if possible). We are only able to book 7-8 groups each year and seek to balance by countries of origin, languages and gender with a mix of live bands and MC/DJ combos. Artists who can also provide a presentation (see above) is a plus, but not required.

Submit your proposal to trinityinternationalhiphop@gmail.com Due Tuesday, October 15th, 2019.

Notices indicating the acceptance of your submission will be sent by Saturday, November 30th, 2019.

PRESENTERS
Please submit up to 300-word proposal for a presentation of scholarly work, lecture, panel discussion, workshop, or a film screening at the festival. Please include the type of presentation you are proposing, any technical requirements plus name and contact information. Film proposals should include film length and a link to the trailer (if possible).

Submit your proposal to trinityinternationalhiphop@gmail.com Due Tuesday, October 15th, 2019.

VISUAL ARTISTS
Please submit a link to your portfolio or web site for art installations, photography exhibitions or to be considered for our live graffiti art painting. Please include a description of your proposed exhibition as well as a biography.

Submit to trinityinternationalhiphop@gmail.com Due Tuesday, October 15th, 2019.

Call for Papers: Global HipHop Studies, Vol. 1 and 2 (2020)

Global Hip Hop Studies (GHHS) seeks contributions for the inaugural volume (issues 1 and 2) to be published in spring and autumn 2020.

GHHS is a new peer-reviewed, rigorous and community-responsive academic journal that publishes research on contemporary as well as historical issues and debates surrounding hip hop music and culture around the world, twice annually. The journal provides a platform for the investigation and critical analysis of hip hop politics, activism, education, media practices and industry analyses as well as manifestations of hip hop culture in all four of the classic elements (DJing/turntablism, MCing/rapping, graffiti/street art and b-boying/b-girling/breaking and other hip hop dances), and the under-examined realms of beatboxing, fashion, identity formation, hip hop nation language (HHNL) and beyond.
In short, GHHS is a hip hop cipher that aims to examine and expand the ‘fifth element’, knowledge (knowledge of self, historical knowledge, hip-hop cultural knowledge and other knowledge paradigms) and its intersections with all the culture’s material, embodied and conceptual forms. Centred around the truly global collection of established scholars on its advisory board, GHHS privileges the insights of people of colour and supports and encourages those of all marginalized, subordinated and disenfranchised global citizens who are engaged in manifesting progressive political and social change and expanded intellectual vistas.
The GHHS proactive distribution model provides journal access to underdeveloped countries through the Electronic Information for Libraries global initiative and has also made a commitment to postcolonial contexts in the overdeveloped world by granting access to public libraries in under-resourced communities (via a simple application process). GHHS thus centres those communities that created the culture – those who built ‘something out of nothing’ – aiming for nothing less than a refiguration of the university knowledge trade.
For this first CFP, the Coordinating Editors and the Editorial Board (Murray Forman, Bettina Love, Karim Hammou and Sina Nitzsche) are soliciting submissions in all six of the journal’s sections:

  • Articles (6,000-10,000 words)
  • Book Reviews (1,000-2,000 words)
  • Media Reviews (1,000-2,000 words)
  • ‘In the Cipher’ (artist-centered outputs) (1,000-4,000 words)
  • ‘Dive-in-the-Archive’ (archival pieces) (1,000-4,000 words)
  • ‘Show and Prove’ (high-res image for cover and 400-2,000 word text)

Submissions should adhere to the word count for the appropriate
section and follow Intellect’s journal editor and contributor guidelines.
Submissions should not appear in the body of the email. All articles
will be peer-reviewed by two reviewers. Please note that any articles
that do not conform to the guidelines will be returned to the author for
corrections prior to being sent out for review. We are happy to receive
inquiries about prospective submissions.
Book Reviews and Media Reviews
Submissions may come as:

  • requests for ‘Titles to Review’ (books will be requested from publishers
  • and mailed directly to contracted reviewers. In most cases, media must
    be procured by reviewers themselves); or
  • unpublished Draft Reviews.

 

‘In the Cipher’ and ‘Dive in the Archive’
Submissions may come as:

  • a pitch for an artist- or archive-centred piece (interview, alternative
    format, etc.); or
  • an unpublished Draft Piece.

The editors encourage artists to include full details on where else to find
their work (web pages, social media, etc.). Where appropriate, the editors
can host related media and links on the journal site.
‘Show and Prove’
Submissions should come with both:

  • a high-resolution image (or small set of images) of graffiti writing,
    photography, or any hip hop image; and
  • one of the following: a proposed 400-2,000 word accompanying text, a
    draft artist statement, a draft curated statement about the artist, etc.

The editors encourage artists to include full details on where else to find
their work (web pages, social media, etc.). Where appropriate, the editors
can host related media and links on the journal site. GHHS will also have
the capacity to host embedded media via companion web pages on the
press website.
While submissions must be in English for Volume 1, the editors anticipate
publishing subsequent volumes as bilingual and/or translated special
issues.

For more information and to submit, please go to https://www.intellectbooks.com/global-hip-hop-studies
Global Hip Hop Studies http://www.intellectbooks.com

DEADLINES: 15 OCTOBER 2019 / 10 MARCH 2020

Coordinating Editors

  • Adam Haupt, University of Cape Town
    adam.haupt@uct.ac.za
  • J. Griffith Rollefson, University College Cork
    jg.rollefson@ucc.ie

Editors

  • Murray Forman, Northeastern University
    M.Forman@northeastern.edu
  • Karim Hammou, French National Center for Scientific Research
    karim.hammou@gmail.com
  • Bettina Love, University of Georgia
    blove@uga.edu
  • Sina Nitzsche, Ruhr-Universität Bochum
    sina.nitzsche@udo.edu

Hip Hop Interpellation: Senior Research Fellow in Computer Science and Cultural Data Analytics Wanted

Position Summary

University College Cork invites applications for an experienced Senior Research Fellow to lead a new high impact 5-year research project in the area of Hip Hop Studies. The position of Senior Research Fellow is in the area of Computer Science and Cultural Data Analytics and is available at the Department of Music in the School of Film, Music, and Theatre at University College Cork. The position is funded by the European Research Council and is associated with the research project CIPHER: Hip Hop Interpellation. This study of global hip hop knowledge flows will synergize computational and ethnographic methods to examine how hip hop “unlocks the global through the local.” The principal investigator of the project is Professor J. Griffith Rollefson.

The successful candidate will work on a research project in global hip hop studies that combines cultural data analytics (text and sound, crowdsourcing, NLP, machine learning, semantic web, stylometry) with ethnographic and cultural studies methods. The researcher will work closely with the PI and a team of ethnographic researchers. S/he will also manage a dedicated doctoral student and a computational support team at the Insight Centre for Data Analytics.

The successful candidate is expected to live in Cork, Ireland and become part of the research environment/network of the university and contribute to its development. The researcher is expected to publish independently and together with the CIPHER team, present research papers at workshops and international conferences, and contribute to popular dissemination of the research results.

For an information package including full details of the post, selection criteria and application process see www.ucc.ie/hr/vacancies. The University, at its discretion, may undertake to make an additional appointment(s) from this competition following the conclusion of the process.

Informal enquiries can be made in confidence to Prof Griffith Rollefson Email: cipher@ucc.ie Further information on the Department is available at https://www.ucc.ie/en/music-theatre/

Salary: Senior Research Fellow Salary Scale: €65,414 – €70,200 – Salary placement on appointment will be in accordance with public sector pay policy.

Applications must be submitted online via the University College Cork vacancy portal. Queries relating to the online application process should be referred to recruitment@ucc.ie, quoting the job-title.

The successful candidate will be familiar with and propose appropriate solutions to the computational challenges of the CIPHER project. See the full CIPHER details at: https://europeanhiphoporg.files.wordpress.com/2018/06/ercconsolidatorgrant-2018-rollefson-fullapp.pdf

Candidates should apply, in confidence, before 12 noon (Irish Local Time) on Thursday 22th August 2019. No late applications will be accepted.

UNIVERSITY COLLEGE CORK IS AN EQUAL OPPORTUNITIES EMPLOYER

Please note that an appointment to posts advertised will be dependent on University approval, together with the terms of the employment control framework for the higher education sector

Contact Person : Prof. J. Griffith Rollefson Contact Email : cipher@ucc.ie
Job ID : 036431 Contact Number : +353-(0)21-490-4521

https://europeanhiphop.org/2019/05/13/cipher-jobs-posted/

Full Job Packet here: CIPHER-SRF-JobDetails

Apply Here (Job ID: 036431): 

Hip Hop Ecologies: A Workshop at the University of Konstanz (June 26-28, 2020)

Hip hop is one of the globally most successful forms of cultural production today. Since its emergence in the African American and Latino neighborhoods of 1970s New York City, it has spread around the world and exerted a considerable impact not only on pop culture, but on societal debates around race, class, public safety, nationality, gender, and a range of other issues. The rapidly expanding field of hip hop studies has examined its artistic development and cultural significance from a variety of angles. What has remained almost entirely absent from scholarly debate is the relationship between hip hop and the environment.

As a predominantly urban phenomenon, hip hop does not pursue an environ­mentalist agenda in any narrow sense. Its focus is on social rather than natural life, on the city rather than the country. Nevertheless, an environmental perspective on hip hop promises to enrich our understanding of the ways in which popular cultural forms shape and are shaped by environmental concerns. Such an approach can direct our attention to important dimensions of hip hop that have remained marginal to public and scholarly debate. Conversely, hip hop offers unconventional vistas that challenge narrow conceptions the environment and of the academic field of Environmental Studies.

The workshop wants to provide a form for critical discussion and open-ended exploration of these issues. Contributions might draw on various elements of hip hop culture in any local or national setting to address the following aspects or others:

  • depictions and negotiations of nature in hip hop
  • environmental approaches to (urban) space in hip hop
  • hip hop and urban ecology
  • rural hip hop and its environmental dimensions
  • material environments of hip hop production and reception
  • environmentally aware or embedded hip hop cultures
  • hip hop in/and environmental activism
  • environmental framings in debates around hip hop
  • hip hop and the posthuman
  • hip hop and the natural sciences

While the workshop will be held in English, contributions on non-anglophone hip hop are expressly invited. If you would like to participate, please send a 250-word proposal and a short biographical note as pdf files to the organizer by September 30, 2019.

A leading peer-reviewed journal of Environmental Studies has expressed interest in publishing the results of the workshop as a special issue. Submissions are invited from both workshop participants and outside contributors; the deadline will be in the fall of 2020. There will be travel bursaries for workshop participants who submit an essay for the special issue. Feel free to inquire if you are interested in this option.

Organizer:

Prof. Dr. Timo Müller
American Studies
University of Konstanz, Germany
timo.mueller@uni-konstanz.de

Russian Hiphop Studies Conference, 19 June 2019

Hip hop studies conference – this is one of the opened trials of the interdisciplinary investigation of the issue of Russian Hiphop culture that is increasingly appearing as a subject among journalists, critics, and even political elites. Hiphop, considered to be a youth couture not long ago, has been celebrating its 45 anniversary and is sometimes compared to classical art forms while critics still see the manifestations of the youth protest, hooliganizm, and deviations. Despite the public resonance, only a few scholars approach hiphop as a serious subject of investigation in Russia and that performing is one of the important fields of modern culture.

This conference will be also create a space for the presentation and discussion of the innovative Russian Hiphop history timeline which connects historical nodal points, elements, celebrities and movements. It presents materials by representatives of the Russian hip hop culture not only dealing with each other but also how they are all involved in different economic, political, state, cultural, and academic events. Different events are included in the timeline: those which were considered to be important from the mass media perspective and those were probably less visible but not less important for the hip hop culture.

We  welcome academic proposals and all type of presentations connected with Slavic Hiphop’s elements (those based both in Russia and outside of it). The proposal should include a title, a 200 word abstract, and a short biographical sketch. Please submit it to Sergey Ivanov no later by 14 June 2019.

Organizing Committee:

  • DA EXIT RUSSIA
  • Russian State University for the Humanities: http://rggu.com/,
  • European Hiphop Studies Network

2 Post-Doctoral Researchers in Global Hip Hop Studies Wanted

Position Summary

Two Post-Doctoral Researcher posts in Hip Hop Studies, are available at the Department of Music in the School of Film, Music, and Theatre at University College Cork. The positions are funded by the European Research Council and are associated with the research project CIPHER: Hip Hop Interpellation. This study of global hip hop knowledge flows will synergize ethnographic and computational methods to examine how hip hop “unlocks the global through the local.” The principal investigator of the project is Professor J. Griffith Rollefson.

We look to hire two Post-Doctoral Researchers with specialization in the hip hop cultures of any world culture region(s) outside of Europe and North America. Especially welcome (but not necessary) will be hip hop scholars with specialisms in two or more cultural/musical/linguistic areas (e.g. Japanese and Mandarin; Wolof, French, and Arabic; Spanish, Tagalog, and English).

This study of global hip hop knowledge flows will synergize ethnographic and computational methods to examine how we might conceive of hip hop as a form of “bottom-up globalization.” The successful candidates may have a disciplinary background rooted in any of the four traditional “elements” of hip hop (DJing/turntablism, MCing/rapping, graffiti/street art, bboy/bgirl dance) or any university discipline, but must demonstrate a deep knowledge of and commitment to hip hop’s “fifth element”: knowledge (of self). The postdoctoral scholars will also demonstrate knowledge of the theory and methods of ethnographic fieldwork and/or community engaged scholarship and have an established track record in such work. The successful candidates will have linguistic, musical, and cultural specializations in one or more geographic communities and an ability to do community-engaged work across various cultural sites and scenes. In their project proposal, the candidates are expected to outline how their research record, interests, and skills align with the CIPHER project – namely, how they might explore hip hop’s localizations in their field(s) of cultural specialization. Citing specific “gems” of local hip hop knowledge in the context of the proposal will be particularly advantageous.

The Post-Doctoral Researchers will work closely with J. Griffith Rollefson, as well as doctoral student researchers, a team of Computational Analysts with specializations in social media, big data, stylometry, and sonic analysis, an Advisory Board of established global hip hop scholars, and an Artistic Council of global hip hop artists.

The successful candidates will have access to dedicated funds for research and conference travel, and assist with the organization of CIPHER’s international conferences and publications.

The successful candidates are expected to live in Cork, Ireland and become part of the research environment/network of the university and contribute to its development. The Post-Doctoral Researchers are expected to publish independently and together with the CIPHER team, present research papers at workshops and international conferences, and contribute to popular dissemination of the research results.

In the evaluation of the applications, emphasis will be placed on:

  • the candidate’s scholarly merit, research-related relevance, and innovation
  • demonstrated knowledge of hip hop music and culture in local and global perspective
  • demonstrated experience in ethnographic and/or community-engaged research in one or more cultural, geographic, or linguistic field sites
  • the applicant’s estimated academic and personal ability to carry out the project within the allotted time frame and contribute to the research project CIPHER
  • good co-operative skills, and the ability to successfully join in academic collaboration within and across disciplines.

Post Duration: 2 years

Salary: €37,221 – €44,266 p.a. (IUA Salary Scale)

Project: CIPHER: Hip Hop Interpellation

Key Duties and Responsibilities

This title will apply to newly qualified Post-Doctoral Researchers and will be considered as a period of training as the researcher will have dual goals in terms of the research project and their own career development. The researcher will be mentored by a Principal Investigator (PI). It is expected that a researcher would spend not more than 3 years at the Post Doctoral level, subject to the term of the project and would then be eligible to compete for a Senior Post Doctoral post advertised by the University.

The primary focus of the Postdoctoral Researcher will be research however a particular emphasis during this stage should include;

  • To conduct a specified programme of research under the supervision and direction of a Principal Investigator/Project Leader.
  • To engage in appropriate training and professional development opportunities as required by the Principal Investigator, School or College in order to develop research skills and competencies.
  • To gain experience in grant writing.
  • To engage in the dissemination of the results of the research in which they are engaged, as directed by, with the support of and under the supervision of a Principal Investigator.
  • To become familiar with the publication process.
  • To acquire generic and transferable skills (including project management, business skills and postgraduate mentoring/supervision).
  • To engage in the wider research and scholarly activities of the research group, School or College.
  • To interact closely with postgraduate research students who are studying for a Masters or a PhD and possibly have an agreed role in supporting these students in their day to day research in conjunction with an academic supervisor.
  • To carry out administrative work to support the programme of research.
  • To carry out additional duties as may reasonably be required within the general scope and level of the post.
  • To contribute to costing research grant proposals and assist in the financial management of a research project.

CRITERIA

  • PhD in relevant humanities and social science field that offer a solid foundation for research in hip hop studies (e.g. ethno/musicology, ethnic/area studies, cultural studies, anthropology, education, media studies, African American studies, sociology, art history, etc.). The doctoral dissertation must have been submitted for evaluation before the application deadline.
  • Experience in ethnographic and/or community-engaged research.
  • The candidate’s research must be closely engaged with the field of hip hop studies and/or aligned with the CIPHER initiative’s methods, aims, an ethos.
  • Appropriate technical competence and accomplishment.
  • A capability of working within a project team to achieve results.
  • Good communication, organisation and interpersonal skills.
  • A commitment to gaining practical experience working on a research project.
  • Ability to work well within a team.
  • Personal suitability and motivation for the position.
  • Please note that Garda vetting and international police clearance check may form part of the selection process.

For Informal Enquiries on the post candidates should contact:

Name: J. Griffith Rollefson

Title: Professor of Music

Email Address: cipher@ucc.ie

Telephone: +353 (0)21 490 4530

 

To Apply:

Applicants must submit the following attachments in pdf format, to J. Griffith Rollefson, Professor of Music, cipher@ucc.ie, +353 (0)21 490 4530, on or before the closing date 9 September 2019.

  • Application Letter (max 2 pages) describing the applicant’s qualifications and motivation for the position
  • Curriculum Vitae (complete list of education, positions, teaching experience, administrative experience and other qualifying activities, including a complete list of publications)
  • Project description (max 3 pages). The project description should address the following questions: (1) How will your work synergize with and/or augment CIPHER’s theory and methods? Please use a specific example or examples of hip hop knowledge from the music, lyrics, dance, imagery, or performance from your region(s) of specialization. How do these examples align with or complicate the theory of Hip Hop Interpellation outlined in the CIPHER proposal; (2) How will you draw upon your disciplinary, artistic, and theoretical background and previous research or practical experience when working on the project? How will that background benefit the project?; and (3) what will be the details of your methodological approach, and how will you deal with potential practical and ethical challenges.

Please note that all documents must be in English.

The short-listed candidates will be invited to an interview by Skype or at UCC. Details of interview will be finalised at a later date. It is envisaged that the posts will start between January and May 2020 and run for two years. It is also envisaged that a further 1-2 postdoctoral posts will be advertised in years 2-3 of the five-year CIPHER study.

Official Details: https://www.ucc.ie/en/hr/vacancies/research/full-details-1006048-en.html

Stay Informed: @GlobalCipher and http://www.ucc.ie/cipher (we’ll go live soon!)